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Still, while Cowboy Bebop does a lot things right - or as right as we can hope for, given the difficulty of translating animation to the live-action world - it’s not quite enough to offset everything the series is lacking. And even when the action is occurring off-screen or through heavy use of visual effects elements, the blend of color and music filling each scene makes them fun to watch.
Over the course of its first 10 episodes, Cowboy Bebop also delivers some impressive action sequences, with Cho looking every bit the action hero when given the opportunity. The universe of Cowboy Bebop doesn’t exist within the gray, hard-edged, neon-punctuated environment of most cyberpunk (and cyberpunk-adjacent) stories, and the costuming, set design, and color choices in the live-action series all reflect that unique aesthetic. The first episode of the series also establishes a great visual foundation for Cowboy Bebop, dipping into the same,= bright color palette used by the anime for the characters and the world they inhabit. It’s one of the signature elements of the series that inspired it, and the live-action adaptation does a nice job of channeling that same synergy between sight and sound throughout many episodes. The series smartly features a blend of musical genres that set the tone for each episode, in much the same way the anime that inspired it used a variety of jazz, heavy metal, and even country music to establish a unique atmosphere for each chapter of the Bebop crew’s adventures. To its credit, Cowboy Bebop starts off on a good note - both literally and figuratively. While the live-action series takes plenty of visual and narrative cues from its animated counterpart early on, it diverges from the story arc of the source material as the season unfolds, taking the core characters in new directions and laying out the foundation for future stories set in the series’ universe. Over the course of the series’ first, 10-episode season, the crew of the Bebop pursues one bounty after another while dealing with complications arising from their own troubled pasts - including former partners (both romantic and professional), deadly assassins, and devastating secrets that won’t stay hidden. They’re joined by Alex Hassell ( The Boys) as the brutal crime boss Vicious and Elena Satine ( Strange Angel, Twin Peaks) as Julia, a femme fatale entwined in the lives of both Spike and Vicious. The series’ cast is led by John Cho ( Star Trek, Harold & Kumar Go To White Castle) as Spike Spiegel, a mysterious figure running from his bloody past Mustafa Shakir ( Luke Cage) as Jet Black, an ex-cop and the captain of the Bebop and Daniella Pineda ( Jurassic World: Fallen Kingdom) as Faye Valentine, an amnesiac bounty hunter trying to uncover clues about her own, forgotten history. Like its animated source material, the Netflix series is set in the year 2071 and follows the adventures of a small group of bounty hunters - known as “cowboys” - as they attempt to hunt down wanted fugitives around the galaxy in their spaceship, the Bebop. Bohemian Rhapsodyĭeveloped by Mission: Impossible - Ghost Protocol screenwriter André Nemec and written by Christopher Yost ( Thor: Ragnarok), Cowboy Bebop is based on the acclaimed Japanese anime of the same name created and animated by studio Sunrise Inc. It’s a shame, too, because the live-action Cowboy Bebop is both beautiful and ambitious in equal measures, making its lack of substance and soul even more disappointing.
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Forget to mix in something important, and cookies turn into barely-edible crackers, and a cake becomes a sticky mess.Īlong those lines, if you try to create a live-action version of a beloved, genre-blending anime, but forget to include any of its heart and humor, you end up with something like Netflix’s Cowboy Bebop series. If there’s one thing any baker - or let’s face it, any baking show - can teach us, it’s that even the most straightforward recipe can take a disastrous turn if you leave out a key ingredient.